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Reed said Willy has displayed veteran presence, is a seasoned pro and has done a good job of managing the offence. Doing what I can every day to control my own fate,” said the 31-year-old Willy, in his eighth CFL season. “I feel like I’ve been very accurate with the ball. Through one week of workouts, he said he believes he has displayed enough competence to be declared the starter, although no decision has been made. Willy continues taking the majority of first-team reps and might provide Montreal with the best opportunity to win now, given his experience. This clearly has become a battle between Willy, who has played for Saskatchewan, Winnipeg and Toronto, and Shiltz, who may be the Als’ future quarterback, if not the present. Reed said there are no immediate plans to add to that total. Photo by Allen McInnis / Montreal Gazetteįreeman’s departure leaves four quarterbacks - veteran Drew Willy, second-year pro Matt Shiltz, along with rookies Antonio Pipkin and Garrett Fugate - remaining. This one is being blown out of proportion, in my opinion.” Josh Freeman is seen at Montreal Alouettes’ office in Montreal on Monday, Feb. We wanted him to come here and compete, and those were the words we said. “We never marketed Josh as the guy, the saviour. The Canadiens are part of the Montreal culture. We bring a lot of players to hockey games. We never had Josh Freeman taking first-team reps.
“We never had a press conference with Josh Freeman. “We never said that Josh Freeman was our starting quarterback,” Reed said. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.It’s a shame those two won’t be hooking up to make music together in the decade to come. For instance, David Bowie had been making music for nearly 50 years when Kendrick Lamar released his sprawling, self-interrogating hip-hop masterwork To Pimp a Butterfly, but Bowie, eternally living in the moment, still took major influence from Kendrick in crafting his incredible farewell album Blackstar and it’s thanks to mutable pop visionaries like Bowie that the world can even imagine a pop context for something as challenging and multi-faceted as To Pimp a Butterfly. What was so fun about the 2010s was the way so many artists from across genres seemed to draw from the same well of wide-open possibility, of discovery happening in real time this is reflected in the albums that made our best-of list. Meanwhile, icons like Paul McCartney, Paul Simon, and John Prine kept up with the youngsters by making some of their best music in years, If indie-rock looped back to the Nineties, hip-hop did the opposite, evolving faster than any other style of music as it got more emo (thanks, Drake) and more political and more sonically deep-space out-there all the same time. After being left for dead in a chillwave puddle 10 years ago, indie-rock got back to its gloriously messy guitar roots, with bands like Parquet Courts, Japandroids and Car Seat Headrest making fantastic albums.
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In the 2010s, the biggest artists were also some of the biggest innovators - from Kanye West creating his monumental over-the-top opus My Beautiful Dark Twisted Fantasy to Beyoncé connecting her life story to a history of African American expression on Lemonade to Chance the Rapper blowing up with a free mixtape that was full of psychedelic realism to Taylor Swift and Kacey Musgraves and Frank Ocean pushing the limits of the conservative genres they eventually broke out of entirely.Ĭountry had its most adventurous decade ever, whether that spirit came through in the fire-spitting lyrical honesty of the Pistol Annies, the hardbitten literariness of Jason Isbell or an almost unclassifiable work like Sturgill Simpson’s soul-tinged song-cycle A Sailor’s Guide to Earth.
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